4 March, 2014
Sara once again conducted our warmup.
Len went right into the choruses – starting with the Kyrie’s then moving to the Gloria – from Len – very good and then it got better. The fugue from measure 23 on is only the choir and chords from the orchestra.
Gratias followed by the Qui Tollis – in this movement he admonished us to be able to hear the flutes and we should stay with the pulse – make it look like we’re singing.
Credo, followed by Et Incarnatus and Confiteor.
This was our last piano rehearsal, next we move into the Winspear.